My background
I’m a Visual Effects Supervisor with over 25 years of experience bringing imagination to life on screen. My work spans blockbuster films, high-end television, and everything in between — always with a focus on storytelling, craft, and collaborative excellence.
From Harry Potter and the Prisoner of Azkaban to King Kong or Inception, No Time to Die and Aquaman 2 — I’ve contributed to some of the most technically and visually ambitious productions of the past two decades, working with world-class directors and studios across three continents.
Whether guiding a small crew or leading a large-scale production, I bring the same precision, creative curiosity, and dedication to quality. I thrive in both supervisory and hands-on roles, adapting quickly to evolving challenges and pipeline requirements.
Now based in Munich, I combine 25 years of experience with a forward-looking approach that actively integrates AI tools into professional VFX and compositing workflows.
I remain deeply hands-on, using small Python scripts and tools to automate repetitive tasks, improve efficiency, and unlock new creative possibilities — while keeping the focus firmly on quality and craft.
Professional Experience
Offering services as VFX and Onset Supervisor and Senior Compositor. Focus on AI-integrated workflows, remote supervision, and high-end compositing for film and TV.
VFX Supervision for projects including Aquaman 2 and The Witcher Season 4. Led 2D teams, managed client relationships, and drove pipeline improvements. The Witcher S4 received a BAFTA nomination in 2025; Julian supervised 300 shots for ScanlineVFX and will represent the production.
VFX / DFX / 2D Supervisor. From Compositing Lead to Sequence Supervisor to VFX Supervisor across 20+ major feature films including Inception, Interstellar, No Time to Die, Last Night in Soho.
Compositing roles based in London and New Zealand. Credits include King Kong, Harry Potter and the Prisoner of Azkaban, The Chronicles of Narnia, and more.