My background
I’m a Visual Effects Supervisor with over 25 years of experience bringing imagination to life on screen. My career began in television production, where I discovered the magic that happens once raw footage meets visual effects. That moment shaped everything that followed.
From Harry Potter and the Prisoner of Azkaban to King Kong or Inception, I learned my craft from some of the most respected artists in the industry. Over time, I moved from compositing to supervising global teams for major studios such as DNEG and ScanlineVFX.
Whether guiding a small crew or leading a large-scale production, I prioritize extensive advanced planning to guarantee a smooth running show. By anticipating challenges early, I can provide calm, clear direction and foster an environment where creativity thrives. I believe that extraordinary visuals come from collective excellence, not individual genius.
Now based in Munich, I combine 25 years of experience in visual effects with a photographer’s eye for authenticity. My career has evolved from senior compositing and lead roles at studios like MPC and WetaFX to serving as a DFX Supervisor at DNEG and most recently a VFX Supervisor at ScanlineVFX.
I remain deeply hands-on, using small Python scripts to automate repetitive tasks in Nuke and leveraging AI to quickly explore early concepts. By handling these technical and communication details efficiently, I am able to dedicate my focus to creative direction and the final visual quality of every frame.
Professional Experience
Since 2025
Freelance
Offering services as VFX Supervisor and Senior Compositor. Covering high-end episodic content, feature films, commercials, and special projects. Currently adopting Generative AI workflows for concept and production efficiency.
2021-2025
ScanlineVFX
VFX Supervision for projects including Aquaman 2, Witcher 4, The Empress S02 and Spykids. Responsible for creative oversight and technical execution across multiple departments.
2009-2020
DNEG London
VFX / DFX / 2D Supervisor. From Compositing Lead on blockbuster features to supervising complex sequences. Long-term tenure demonstrating consistency and growth.
2003-2008
WetaFX, MPC, DNEG
Compositing roles based in London and New Zealand. Contributed to King Kong (2005) and 14 other features. Building the foundation of visual effects knowledge.